rainshaded

I finally decided to do a fic masterpost. This post is not an exhaustive list of every fic I have written; it is a list of those I will admit to and/or have not forgotten about. So.

Please find my Transformative Works statement here.

( Ashes to Ashes )
( Doctor Who (classic) )
( Doctor Who (new) )
( Doctor Who (multi-era) )
( Doctor Who (spin-offs) )
( Horrible Histories )
( Primeval )
( Star Trek: Deep Space Nine )
( Crossovers )

( SJA! (That's not just cause it's an acronym; it's deliberate capslock) )
( Overthinking something which did not make me squeeful )
On the subject of fic, Angela and I spent most of the day discussing a Leverage 16th century AU. See, in our Literary London module, we've started studying the criminal underworld of the late 1500s/early 1600s through contemporary pamphlets such as 'The Second Part of Coney-Catching' and 'The Defence of Coney-Catching'. They're amazing. They both relate lots of fascinating little tales.

'The Second Part''s stories are all about crimes these thieves, vagabonds, coney-catchers have carried out. My favourite was the one where this 'hooker' is trying to hook things out of this room through an open window and getting really frustrated because, unbeknownst to him, the porter is standing in the room, simply lifting anything that gets caught off the hook.

'The Defence' was amusing generally. It was purportedly written by a coney-catcher who was really annoyed that R.G was publishing pamphlets like 'The Second Part' (and the first part, and more besides) and telling all their secrets because everyone he tried to con just went 'I've read the book! You can't fool me.' It related tales of legally fine, morally rotten ripping off, complaining that their acts were much greater than anything he or his ilk did. Ready made 16th century Leverage plots!

We decided that Nate would probably be a 'upright-man' (previously a servant, skilled), Sophie a 'bawdy-basket' (comes to a house with stuff to sell and nicks other stuff), Eliot a 'ruffler' (a returned soldier too proud to beg) and Parker a Dell (young woman...curse non-specific definitions), so skilled in the Blacke Art (lockpicking) that she always plays the part of the Charme (lockpicker).

Hardison gave us some trouble. Four hours after the Literary London seminar ended, and two minutes after I had seen her last, Angela rushed out of her class to tell me (still waiting to go in to my lecture) that he could be a forger. It was okay, because the teacher wasn't there yet ;).

Last week, it was the Leverage team attempt to steal from Brax's collection. This week, 16th century AU. We do enjoy the module and pay attention during the seminar, honest.

1940?

Okay, the UNIT dating controversy just got even more complicated.